Using the batteries and memory card format supplied with the camera (where included), except where indicated.

Pictures at night taken in auto or program are much better than the low light setting (there's no night scene mode we could find) which boosts ISO to a ridiculous setting. In our test shot we could barely tell the scene. The North Star is visible in our shots though. Up at ISO 400 is where the noise starts to be more visible and can result in some noticeable yellow blotching. Going above that you'll start to see more color noise, artifacts, and loss of detail, which just results in subjects that appear soft and desaturated. The camera definitely favors dropping shutter speed over raising ISO when left in auto. That's good in general, but if you're not paying attention it could result in blurry photos. All these features are found on other digital bridge type cameras such as this Canon PowerShot SX500 IS. There is a mode of note that really helps with framing and composition. On the left of the lens barrel is a button with a square that has four arrows shooting out of each corner on it. If you want to zoom out a little just to miss out a bit of overhanging building or crop a person out, you can hold this button and zoom as normal. The Zoom Framing Assist will retain the wide-angle screen but show a virtual zoomed in square on the screen. You can then decide what to zoom in and crop out before releasing the button. Upon releasing, the camera will zoom to the point that you decided on. Then menu is extremely easy to use. As with all Canon digital compact cameras the user interface is intuitive and nicely coloured so it's easy to work out where you are and where you need to go next. The menu system will change depending on the level you set the camera at. For example, if you have the camera in Auto, the number of options available to you are vastly smaller than if the camera is in Program. These two modes do pretty much the same thing but in Program you get to choose advanced features such as ISO, white-balance and metering.The following Speed Class memory cards are required for maximum record time: (HD) 1280 x 720 Speed Class 4 or above. (Full HD) 1920 x 1080 Speed Class 6 or above. (iFrame) 1280 x 720 Speed Class 6 or above.

At full 16 megapixel resolution, there are two JPEG quality settings available - SuperFine and Fine. Using the Canon PowerShot SX500 IS is a lot easier than you might think just by looking at it. After all, it's designed to look like something of higher specification than what it actually is. However, Canon have ensured that the user interface is simple but not to a dumbed down degree. We liked using it out and about and found it easy to get shots that we would normally have to walk to; thereby preventing a task that, frankly, we'd rather not do anyway. The build is good, we liked the design because everything seemed to fall into place as we used it.Smart Auto (32 scenes detected), Program AE, Shutter priority AE, Aperture priority AE, Manual, Live View Control, SCN (Portrait, FaceSelf-Timer, Low Light (4.0MP), Snow, Fireworks), Creative Filters (Fish-eye Effect, Miniature Effect, Toy Camera Effect, Monochrome, Super Vivid, Poster Effect), Discreet, Movie One of the SX500 IS' advantages is that it's made for more than fully automatic shooting. Among the many shooting options on the camera's mode dial are shutter-priority, aperture-priority, and manual. Available apertures at the wide end are f3.4, f4.0, f4.5, f5.0, f5.6, f6.3, f7.1, and f8.0; at telephoto you get f5.8, f6.3, f7.1, and f8.0. Shutter speeds go from 15 seconds down to 1/1,600 second. If that's too much control for you, you can switch to Program and control everything but shutter speed and aperture. Image quality starts to break down around ISO 800 with noticeable noise at normal viewing distance. Up close sees noise reduction software battling to maintain an air of quality. By the end setting of ISO 1600, edge definition has broken - although there's still a degree of image quality, noise affects all areas of the picture with streaks of green in the darker areas.